Any chord in our original key can make this transition comfortably. Let's begin by learning the movable (i.e. CURRENTLY IN PROGRESS: Soul Music: IV-V-VI-V “Curtis Mayfield, Move On Up” Soul Music: IV-III-VI-II “Bobby Caldwell, What You Won’t Do For Love” Soul Music: I-I7-IV-IVmin “Anthony Hamilton, Can’t Let Go” Soul Music: I-VI-IV-bVI-bVII The table below shows the interval structure of these chords from the root. They all use extended harmony: i.e. Once I show you the chord, I will demonstrate how to play it in a beautiful chord progression. A list of some fresh soul chord progressions and some variables (all of them have at least one variable) ! Home âº Chords / Progressions âº Extended Minor. Sad chord progressions. It's not crucial that you learn the interval names. Place your 1st finger on the 5th string/2nd fret. The rest of the chord progressions are based on the originals where they exist. Similar to the concepts in those lessons, we can use extended minor chords to facilitate key changes. In this lesson we'll focus on three forms of minor chord extension - minor 9th, minor 11th, and minor 7th flat 13th. So as you can see and hear, these extended minor shapes give us a good deal of flexibility for voice leading and reharmonisation options. The 7 chord root can be seen as one fret down from the tonic root. Know that, wherever you play an extended minor chord, key changes are possible. Extended Minor Chords. Experiment with replacing regular minor and minor 7th chords with the extended shapes we learned. Subscribe | Donate | About | Contact | Site Policies. Don’t forget to subscribe to my channel ! The interval provided by each string in the shape is labelled to the left of each diagram. Minor 7th flat 13th chords (e.g. We'll look at these concepts in greater depth in another lesson. Please consider donating to fretjam and support the free lessons... â± Learn how you can support fretjam here. An example in the key of Câ¯ minor... We can also use a m7â13 on the 2 (ii) chord in major keys, typically as a pre-dominant chord, or as part of a ii V I sequence. Let’s talk about scales, if you wanna make some soul instrumentals ! Example starting in C major, modulating to B major... Of course, there are many more examples of how these minor chords can be used in progressions. It's also worth considering relative shapes. Jazz Chord Progression | Play Some Jazz To Sound More Awesome ! In bar three an A/B or B11 chord is played followed by a B13b9 chord, which creates dissonance and is a classic chord voicing used in Neo Soul. The m7â13 chord can be used in a few ways. These are some chord progression ideas you might want to hear if you are interested in soul music. In minor keys, try playing the 3 (III) chord as minor, such as this example in the key of G minor, with Bâm9 as our 3 chord... Voice leading, by its simplest definition, is where we form a melodic sequence through our chord changes, typically using the top notes of the chord to form the melodic line. On the subject of modulation, a lot of what we're about to cover will be complemented by my lessons on dominant changes and major 7th chords, so please also take some time with those. by Ze Categories Guitar. One option is to use the 3 (iii) chord as the 5 (v) of our new key. Have any questions, thoughts or ideas about this lesson? Rock and roll would use the same 12 bar blues progression, with only different tempo and speed. “6-2-5-1” Chord Progressions. Using the table below, we can see, for example, that if we played Cmaj7 over A (or Am), we'd actually be voicing an Am9 chord... Keeping the low E string open as the root, here I'm playing Em9 using its relative Gmaj7 shapes... And here I'm playing Em11 using its relative Gmaj9 shapes... Now we have a good number of shapes to play with, let's look at applying these chords in a practical context. This extends the minor 7th sound, giving it more colour. So how to make popular soul progression to make a song? This time we use the 6 (vi) of the original key as the 5 (v) of the new key. This can work as an effective ear-fretboard training exercise for finding chords that are being played by other musicians/band members. Answers below... Am9 (5th fret) / Câ¯m9 (9th fret) / Dm9 (5th fret) / Cm9 (3rd fret) / Gm9 (5th fret). Here's how these chord degrees would be positioned in E major... Again, I'm going to play out a sequence (in E major) using extended minor shapes on the 2, 3 and 6 degrees... We can also place a m11 on the 7 (vii) chord in major keys, as an alternative to the diminished chord. Let's just look at a few examples. The parallel minor we switch to becomes the 2 of the new key... Notice how on that last resolution, I resolved to minor. Our extended minor shapes can help us with this reharmonisation. Fmaj9) chord, depending on the context in which it's used. We can also play minor 9th and 11th chords in open positions (i.e. Feel entirely free to mix the progressions together, to be totally original and unique in your art. So it's a good idea to learn this visual relationship of chord degrees in different keys. Play strings 2, 3, and 4 open. Hip-Hop Songs | Make Amazing Beats With This Website ! The minor 9th chord (e.g. In a minor key, this is the equivalent of making the 6 (vi) chord minor. Most of us are familiar with using minor chords in progressions/songs. The piece finishes with some plucked harmonics twelve frets above the E … For an even more unpredictable shift in key center, we could position an extended minor form one half step (one fret) above the major tonic root - the equivalent of the flat second (âii) degree. These easy, common patterns are good for acoustic guitar, rock, or simple practice sessions. In this fingerstyle guitar lesson, I am going to show you nine beautiful chords on guitar and how to actually play them. You’ll find different instrumentals, will you be able to reproduce them? What sounds sad changes from person to person, but there’s a few emotional chord progressions that signal sadness right away. If we play a major 9th shape on the minor 3rd, we get a minor 11th chord. Start by watching the presentation below and then scroll down to go at your own pace... Extended Shapes | Progressions | Substitution | Reharmonisation | Modulation. Try reharmonising melodies using extended minor shapes (where the top note of the shape voices the melodic note). Musiq soulchild is simply F#m7 (F#AC#E) and Bm7 (BDF#A) with the odd E9 (EG#BDF#) thrown in for good measure as a link back to the Bm7. Am9) can be thought of as a minor 7th chord (1 â3 5 â7) with the added interval of a 9th (9). Replace major chords in a progression with minor and see how it changes the sound (though don't overdo it!). For example, if we play a major 7th shape on the minor 3rd of, or 3 frets up from the chord root we want to play, we get a minor 9th chord. In this lesson we'll focus on three forms of minor chord extension - minor 9th, minor 11th, and minor 7th flat 13th. Each one of them have a video where you can see and listen by yourself what the chord progression looks like ! In this example, starting in A major, we build a minor 11th chord on the 3, or Câ¯m11 in this case - this then becomes the 5 of our new tonic of Fâ¯ major... A similar example, starting in G major. Now we’ll switch things up with the “six,” an A Minor Chord: Place your 1st finger on the 2nd string/1st fret. “Bobby Caldwell, What You Won’t Do For Love”. 1, 4, 5) form a movable relationship for any key. But it’s also the basis for lots of great music. Furthermore, as we'll discover, these richer minor chords also facilitate some interesting modulation/key change possibilities, allowing us to take our songs in less predictable directions. They are a natural part of the flow of major and minor key music. This might seem counter-intuitive, since we're used to hearing the stronger dominant 7th sound on the 5 position. Learn to play from these easy to follow Neo Soul, RnB Chord progression charts **** Updated with the Minor 2-5-1 – Jazzy progressions **** They come in two parts, Minor and Major With WAV & MIDI files. Below I'm playing through this 1 4 5 minor sequence (in the key of G minor) using m9 and m11 shapes from earlier... And in a major key, we have the 2, 3 and 6 (ii, iii, vi) chords as minor. Popular Songs | Make Some Of Yours Favorites Beats With This Website ! The best scale was the blues scale in case of making a lead ! In minor keys, the m7â13 chord naturally occurs on the 5 (v) chord. Now let's play an interpretation of this melody with the chords underneath it. I think it would be played with barre chords but you can do regular chords if you want, just hit the bass then pluck the higher notes. I will start each progression with the “1” chord just so that you get a sense of what major key the chord progressions start and end on. As always, thank you for your time and patience! Starting in a minor key, with our 1, 4 and 5 (i, iv, v) chords being minor, we can try using our minor 9th and 11th shapes on these root positions. Example in E minor using Cm11... We could even replace the 5 (V) chord in major keys with minor.