Think of a situation where you have already routed signal to a lot of different mixer tracks, and you choose ‘Route to this track only’, you will loose all the other routings and you would have to set them up again. It helps me retain the dynamics of the sound (not sounding too squashed) while compressing heavily. We don’t wan’t that to happen here as it makes the drums sound bad. Create a simple drum sequence and use the mixer to set the volume levels between the drums in balance: Now, in the mixer view, ROUTE all the drum mixer tracks to an empty mixer track. Browse our selection of tutorials covering a range of topics from popular DAW tips, fundamental studio techniques, basic music theory tutorials, promoting your music, and making the most of your audio plugins. The following settings work well with the type of drums used in this tutorial: Ratio 1000:1, Attack 1.0, Release 1.0, Sensitivity -60dB, Makeup 30dB. You can also do it on FL studio by routing to a separate track but I found this can be problematic especially as Fl tracks are all stereo and when you load a mono plugin, there can be issues. So you do not need a separate track all you need is to smash the hell out of the track in the compressor settings, then use the mix knob to add only a little. Routing The Drum Mixer Tracks To An Empty Mixer Track. Design by Scorpion Edge. After installing the Rough Rider, drop it to ‘Drums Wet’ mixer tracks fx slot and go extreme. Now here’s something very important so pay attention: plugin processing delay. Note that you should use the left click as we are routing the SAME SIGNAL to two separate mixer tracks. Welcome to Loop+! Sounds complicated, but once you get used to it, it’s a piece of cake. Into the ‘Drums Wet’ track we are going to add the compression and ‘Drums Dry’ track we leave dry. https://www.quora.com/How-do-I-do-parallel-compression-in-FL-Studio. This way we can control the volume levels and apply processing such as eq which will affect the whole group of drum signals via one mixer track. In this case there is a boost to the low- and high end and bit of the 1.4-1.5kHz area of the ‘Drums Dry’ mixer track using the track eq. How to achieve parallel compression in FL Studio? Note that the attack and release times are at their fastest and the ratio is very high (about 20:1). I am using FL 12.3. But you have to be sure you are not just increasing the volume. Create a simple drum sequence and use the mixer to set the volume levels between the drums in … The 5 Stages of an Electronic Music Producer (How to Make EDM). This tutorial will show you how to set up parallel compression (also known as New York compression) in FL Studio. We hope you enjoy. I am using FL 12.3. Add A Compressor To The Drums Wet Mixer Track. This is also called ‘New York’ compression (don’t ask me why). So, route the ‘Drums Wet’ ‘Drums Dry’ mixer tracks to a empty mixer track (this time using right click choosing ‘Route to this track only’). The little up-arrow on that empty mixer track turns yellow. But I have adjusted the ‘parallel inject’ knob (just next to the output) to ensure I am not overcompressing the 808 track. This technique is particulary useful with drum compression, as with it you can apply heavy compression to the duplicated drums while retaining the original dynamics of the non-processed version. Parallel processing is a mixing technique where you duplicate audio signal, add processing (such as compression) to the other signal and leave the other signal non-processed (dry), mix them together and send them to the master out. If I compressed directly on the track channel (mixer channel), the track will be over-compressed and sound squashed. Parallel compression in simple terms means blending a heavily compressed version of a track back into the main track. You can see from the graph on the Fabfilter Pro C that we are really smashing it but I have adjusted the dry mix button to reduce the compression effect on the track. You can use this technique on ANY instrument including vocals, bass, electric guitars, whatever! All rights reserved. This is your starting point for finding out how to get the most out of your Loopmasters samples. It just adds life to the drum tracks. Do that for each drum mixer tracks. Hey my name is Hank i write about and produce edm tracks! See what I did here with the Softube FET compressor (my favorite parallel compressor): Same principle: fast attack and release times (note that you can change these to fast attack, slow release or slow attack and fast release but the fast times work best for smashing the track). So, in order to cope with this problem, drop exactly same set of plugins to both the ‘Drums Wet’ and ‘Drums Dry’ mixer tracks. How to Add Punch and Depth to Drums using Parallel Compression I do this a lot in my productions (especially vocals, drums and bass) because of the following: So how to do parallel compression on FL studio. you may start to get confused which track is sending what to where - especially when you start to add more stuff to the mixer tracks. Now, here is a little secret: many compressor plugins already have a mix knob built in. I used to think I sucked at music and I just downloaded the program in the first place because I needed to tweak some audio for another project. Let’s begin. Into this track we will add the compression. This is a great trick to make your drums sound huge. So you do not need a separate track all you need is to smash the hell out of the track in the compressor settings, then use the mix knob to add only a little. Routing The "Drums Wet" And "Drums Dry" Mixer Tracks To Empty Mixer Track. to each individual drum mixer track. We've also ‘beefed’ up the drums a bit by adding a Soundgoodizer to the ‘Semi Master’ -track. Now, here is a little secret: many compressor plugins already have a mix knob built in. Compression Techniques I Learned This Year, 7 Marketing Strategies for musicians in 2020, The 5 Stages of an Electronic Music Producer (How to…, 10 Practical Mixdown Tips for Improving Your Tracks. As we chose ‘Route to this track only’, the signal will not be sent straight to the master track – ONLY through the chosen mixer track. What we are doing here is sending the signal of each drum mixer track to a master track THROUGH one (or more) mixer track(s). In this tutorial example, setting both to 0.0dB works actually quite well. But we are not done yet with the routing. Routing The Drum Mixer Tracks To Another Empty Mixer Track.